Paul Sheldon is a prolific writer. He is most famous for his Victorian-era romance novel series: Misery. The problem is…he hates writing it. He has passion projects that he would rather be spending time writing (though they often do not even net HALF of what a single Misery installment brings in). As his final installment of the series, Misery’s Child, is released in which he FINALLY kills off his dreaded main character Paul takes a break to write a new crime novel: Fast Cars.
As he finishes the manuscript in the small town of Sidewinder, Colorado, Paul decides to celebrate with some champagne and a long drive…deciding that he should take his ’74 Camaro to Los Angeles instead of flying back to his empty apartment in New York, recently vacated by yet another ex-wife.
Fate has other plans as a snowstorm pops up outside of the small town and causes Paul to crash on the side of the road. When he awakes its in a strange environment. A small room with nothing other than a bed, a side table….and he doesn’t recognize any of it. When Annie Wilkes comes into the room things go from odd to plain weird.
It turns out Annie saved him from the wreck. And being a nurse she has first hand experience, and the resources to take care of Paul as he recovers from his incredibly destroyed legs…but is she really there to take care of him? Or is something about this “number one fan” even more sinister than what is first presented when Annie brings him back from the brink of death?
-Genre: Psychological Thriller, Horror
-Author: Stephen King
-Number of Pages/Words: around 420 pages,
-Main Characters: Paul Sheldon, Annie Wilkes
-Where to Read: support local booksellers (many can order items that may not be in stock), get or rent the audiobook (on something like Audible or Libby), or look for it at your local library!
-Page of Reference in RP1:
Review (contains spoilers):
So I’ve seen the movie a lot and now I’ve read a few of Stephen King’s novels…and I can honestly say this: Stephen King is much better on film.
Maybe its because my imagination (while very clear and my inner eye can create basically anything) knows that it doesn’t have to with books) has decided it doesn’t need to animate what is going on in the novels. Or maybe it’s the way the prose is written…the books just aren’t’ scarry.
Misery has a few ick moments in it but I didn’t find myself worried or scared. Honesty the false ending where Paul imagines Annie as having escaped the police and showing up at his apartment to kill him with the same ax she uses to chop off his foot was way worse and would have been a better ending in my opinion that the “everything is fine” ending that was written for Paul.
the book was fine. It wasn’t too long. The action was fine. The depiction of the mental illness that Annie displayed defiantly fit more of the knowledge and views that were known about in the 1980s when the novel was written and published. There were some slightly misogynistic moments and Annie (while overweight, isolated and mentally ill) was described in a way that was disparaging when all the things she is aren’t necessarily negative traits. Her being an Angel of Death however was discovered in a very interesting way.
It wasn’t the worst thing I’ve read. And it wasn’t the best. The movie is better in my opinion which for me isn’t a common view…usually the books are way better.