Posted in 8-Tracks, Blog Posts

REPOST: Rebel Yell, by Billy Idol: a Song Review

General Information:

-Album Title: Rebel Yell

-Artist: Billy Idol

-Release Year: 1983

-Song Length: 4:47

-Genre: Rock

-How to Listen: Spotify (with subscription), Apple Music (with subscription), iTunes (for purchase), CD, or look for it at your local library

-Page of Reference in RP1: 184

Lyrics:

Last night a little dancer came dancin’ to my door
Last night a little angel came pumping on my floor
She said come on baby, I got a license for love
And if it expires, pray help from above, because

In the midnight hour, she cried more, more, more
With a rebel yell she cried more, more, more
In the midnight hour babe more, more, more
With a rebel yell more, more, more
More, more, more!

She don’t like slavery, she won’t sit and beg
But when I’m tired and lonely she sleeps in bed
What sets you free and brought you to me, babe
What sets you free, I need you here by me, because

In the midnight hour, she cried more, more, more
With a rebel yell she cried more, more, more
In the midnight hour babe more, more, more
With a rebel yell more, more, more

He lives in his own heaven
Collects it to go from the seven eleven
Well, he’s out all night to collect a fare
Just as long, just as long it don’t mess up his hair

I walked the world for you, babe
A thousand miles for you
I dried your tears, of pain, babe
A million times, for you

I’d sell my soul, for you, babe
For money to burn, for you
I’d give you all, and have none, babe
Just to, just to, just to, just to, to have you here by me, because

In the midnight hour, she cried more, more, more
With a rebel yell she cried more, more, more
In the midnight hour babe, more, more, more
With a rebel yell she cried more, more, more
More, more, more!

Ooh yeah, little baby
She want more
More, more, more, more, more!
Ooh yeah, little angel
She want more
More, more, more, more, more!

Review:

Once again, a song that was a solid 4 because it is generally great overall but nothing spectacular (sorry Billy Idol) gets a 5-star review BECAUSE IT HAS A RIDICULOUS STORY BEHIND IT!

So, Idol himself has confirmed the story behind the title of the song and album.  It all stemmed from a night out at a party with the Rolling Stones where he came upon them drinking a bottle of Bourbon.  The label had a man dressed in Confederate Grey riding a horse.  The brand? Rebel Yell.

The song isn’t about bourbon but only Billy Idol could: 1. Tell a story like that about where he got the title for a song and B. have us all believe it because it’s just that crazy.

He did say the song was about women being the strongest force in the world and the lyrics overall tell the story of the love between a man and a woman.  There has been a lot of speculation about the specifics of what is talked about…but honestly.  Its just a really good song.

The lyrics are solid, the music is catchy.  And it’s just fantastic all around.

And yes, you can still get Rebel Yell Kentucky

Rating:

Rating: 5 out of 5.
Posted in 8-Tracks, Blog Posts

Dirty Deeds Done Dirt Cheap, by AC/DC: a Song Review

General Information:

-Album Title: Dirty Deeds Done Dirt Cheap

-Artist: AC/DC

-Release Year: 1976

-Song Length: 3:51

-Genre: Hard Rock, Blues Rock, Rock and Roll

-How to Listen: Spotify (with subscription), Apple Music (with subscription), iTunes (for purchase), CD, or look for it at your local library

-Page of Reference in RP1: 328

Lyrics:

If you’re havin’ trouble with the high school head
He’s givin’ you the blues
You want to graduate but not in ‘is bed
Here’s what you gotta do
Pick up the phone
I’m always home
Call me any time
Just ring
36 24 36 hey
I lead a life of crime

Dirty deeds, done dirt cheap
Dirty deeds, done dirt cheap
Dirty deeds, done dirt cheap
Dirty deeds and they’re done dirt cheap
Dirty deeds and they’re done dirt cheap

You got problems in your life of love
You got a broken heart
He’s double dealin’ with your best friend
That’s when the teardrops start, fella
Pick up the phone
I’m here alone
Or make a social call
Come right in
Forget about him
We’ll have ourselves a ball

Dirty deeds, done dirt cheap
Dirty deeds, done dirt cheap
Dirty deeds, done dirt cheap
Dirty deeds and they’re done dirt cheap
Dirty deeds and they’re done dirt cheap

If you got a lady and you want her gone
But you ain’t got the guts
She keeps naggin’ at you night and day
Enough to drive ya nuts
Pick up the phone
Leave her alone
It’s time you made a stand
For a fee
I’m happy to be
Your back door man

Dirty deeds, done dirt cheap
Dirty deeds, done dirt cheap
Dirty deeds, done dirt cheap
Dirty deeds and they’re done dirt cheap yeah
Dirty deeds and they’re done dirt cheap

Concrete shoes, cyanide, TNT
Done dirt cheap
Neckties, contracts, high voltage
Done dirt cheap

Dirty deeds
Do anything you wanna do
Done dirty cheap
Dirty deeds
Dirty deeds
Dirty deeds
Done dirt cheap

Review:

I don’t have a lot to say about this song.  Its classic AC/DC.  One of their most popular songs that most people who listen to any sort of Classic Rock anymore will know or at least recognize.

A fairly solid rock song that was part of early hard rock.

The lyrics are simple and repetitive like a lot of other music from the 1970s and 1980s.  It was easy to sing along to and was catchy which is what you really needed for radio play.

Rating:

Rating: 4 out of 5.
Posted in 8-Tracks, Blog Posts

REPOST: Dead Man’s Party, by Oingo Boingo: a Song Review

General Information:

-Album Title: Dead Man’s Party

-Artist: Oingo Boingo

-Release Year: 1985

-Song/Album Length: 6:21

-Genre: New Wave

-How to Listen: Spotify (linked below), Apple Music, iHeart Radio, Pandora, or find the album at your local library!

-Page of Reference in RPO: 3

Lyrics:

I’m all dressed up with nowhere to go
Walkin’ with a dead man over my shoulder
I’m all dressed up with nowhere to go
Walkin’ with a dead man over my shoulder

Waiting for an invitation to arrive
Goin’ to a party where no one’s still alive
Waiting for an invitation to arrive
Goin’ to a party where no one’s still alive

I was struck by lighting, walkin’ down the street
I was hit by something last night in my sleep
It’s a dead man’s party who could ask for more?
Everybody’s comin’, leave your body at the door
Leave your body and soul at the door

Don’t run away it’s only me
Only me

I’m all dressed up, nowhere to go
Walkin’ with a dead man (oh!) with a dead man
Ooh ooh, waitin’ for an invitation to arrive
Ooh! Walkin’ with a dead man, dead man (with a dead man)

I got my best suit and my tie
With a shiny silver dollar on either eye
I hear the chauffeur comin’ to my door
Says there’s room for maybe just one more

I was struck by lighting, walkin’ down the street
I was hit by something last night in my sleep
It’s a dead man’s party, who could ask for more?
Everybody’s comin’, leave your body at the door
Leave your body and soul at the door

Don’t run away it’s only me
Don’t be afraid of what you can’t see
Don’t run away it’s only me (only me)
Don’t be afraid of what you can’t see

It’s only me

I was struck by lighting, walkin’ down the street
I was hit by something last night in my sleep
It’s a dead man’s party, who could ask for more?
Everybody’s comin’, leave your body at the door
Leave your body and soul at the door

Don’t run away it’s only me (only me)
Don’t be afraid of what you can’t see
Don’t run away it’s only me (only me)
Don’t be afraid of what you can’t see

It’s only me

It’s only me
Only me
It’s only me
It’s only me
Only me (only me)
It’s only me
It’s only me
It’s only me
Ow!

Review:

While Oingo Boingo wasn’t often played in my house growing up I was super lucky to have been introduced to a ton of different music from the 1980s growing up.  Overall, I do really like this song.  Its rhythm and beat are catchy, and the lyrics are quite entertaining.

In the context of RPO I do understand why the character of Halliday chose this song to set his last will and testament to.  It has just enough of the morbid humor I feel he would have possessed as well as just having that genuine 1980s feel.  There is little chance of thinking that this song was made in any other time period.  Its just distinctly 80s.

The lyrics truly do feel like the fit the context of his will as well.  While he is dead it has the feel of a dance song which was fitting because he used this video to announce that he had built a contest into the OASIS.  This song has that kind of mischievous and upbeat feel in contrast to the idea of the lyrics.

Which I’m finding the more and more I research New Wave music seems to kind of be a running theme.

This song is also the first introduction to Halliday’s character and the fact that he likes to hide clues and little nods to his life throughout his work…and that sometimes what looks innocent actually holds a really important piece of information that you may need.

Rating:

Rating: 4 out of 5.

Posted in 8-Tracks, Blog Posts

Don’t Let’s Start, by They Might Be Giants: a Song Review

General Information:

-Album Title: They Might Be Giants

-Artist: They Might Be Giants

-Release Year: 1986

-Song/Album Length: 2:36

-Genre: Alternative Rock

-How to Listen: Spotify (with subscription), Apple Music (with subscription), iTunes (for purchase), CD, or look for it at your local library

-Page of Reference in RP1: 199

Lyrics:

Don’t, don’t, don’t let’s start
This is the worst part
Could believe for all the world
That you’re my precious little girl
But don’t, don’t, don’t let’s start
I’ve got a weak heart
And I don’t get around how you get around

When you are alone, you are the cat, you are the phone
You are an animal
The words I’m singing now
Mean nothing more than ‘meow’ to an animal
Wake up, smell the cat food in your bank account
But don’t try to stop the tail that wags the hound

D, world destruction
Over and overture
N, do I need
Apostrophe
T, need this torture?

Don’t, don’t, don’t let’s start
This is the worst part
Could believe for all the world
That you’re my precious little girl
But don’t, don’t, don’t let’s start
I’ve got a weak heart
And I don’t get around how you get around

No one in the world ever gets what they want
And that is beautiful
Everybody dies frustrated and sad, and that is beautiful
They want what they’re not and I wish they would stop singing
“Deputy-dog-dog-a-ding-dang-depadepa”
“Deputy-dog-dog-a-ding-dang-depadepa”

D, world destruction
Over and overture
N, do I need
Apostrophe
T, need this torture?

Don’t, don’t, don’t let’s start
This is the worst part
Could believe for all the world
That you’re my precious little girl
But don’t, don’t, don’t let’s start
I’ve got a weak heart
And I don’t get around how you get around

I don’t want to live in this world anymore
I don’t want to live in this world

Don’t, don’t, don’t let’s start
This is the worst part
Could believe for all the world
That you’re my precious little girl
But don’t, don’t, don’t let’s start
I’ve got a weak heart
And I don’t get around how you get around

Review:

Apparently, I have been really lucky in my life and in this project when it comes to music because, unlike some of the visual and literary references in RP1, I actually love a lot of the bands and songs that are included in the book.

Like They Might Be Giants.  I’ve listened to them for years because I listen to a variety of other bands that are similar like Paul and Storm (and their former band – DaVinci’s Notebook), everything that The Guild: The Webseries recorded as a full-length song, Tom Lehrer, Tripod, and a variety of other alternative and comedy rock groups.

This song has been on many of my personal playlists as have a lot of other They Might Be Giants songs.  So, its not hard for me to rate or asses in regards to the fact that I just like the song.

And, unlike many of the other songs I’ve been reviewing, while this song has some pretty deep lyrics they were never meant to mean anything.  They are just nonsense that lyrically worked with the melody of the song.

Rating:

Rating: 4 out of 5.
Posted in 8-Tracks, Blog Posts

Rebel Yell, by Billy Idol: a Song Review

General Information:

-Album Title: Rebel Yell

-Artist: Billy Idol

-Release Year: 1983

-Song Length: 4:47

-Genre: Rock

-How to Listen: Spotify (with subscription), Apple Music (with subscription), iTunes (for purchase), CD, or look for it at your local library

-Page of Reference in RP1: 184

Lyrics:

Last night a little dancer came dancin’ to my door
Last night a little angel came pumping on my floor
She said come on baby, I got a license for love
And if it expires, pray help from above, because

In the midnight hour, she cried more, more, more
With a rebel yell she cried more, more, more
In the midnight hour babe more, more, more
With a rebel yell more, more, more
More, more, more!

She don’t like slavery, she won’t sit and beg
But when I’m tired and lonely she sleeps in bed
What sets you free and brought you to me, babe
What sets you free, I need you here by me, because

In the midnight hour, she cried more, more, more
With a rebel yell she cried more, more, more
In the midnight hour babe more, more, more
With a rebel yell more, more, more

He lives in his own heaven
Collects it to go from the seven eleven
Well, he’s out all night to collect a fare
Just as long, just as long it don’t mess up his hair

I walked the world for you, babe
A thousand miles for you
I dried your tears, of pain, babe
A million times, for you

I’d sell my soul, for you, babe
For money to burn, for you
I’d give you all, and have none, babe
Just to, just to, just to, just to, to have you here by me, because

In the midnight hour, she cried more, more, more
With a rebel yell she cried more, more, more
In the midnight hour babe, more, more, more
With a rebel yell she cried more, more, more
More, more, more!

Ooh yeah, little baby
She want more
More, more, more, more, more!
Ooh yeah, little angel
She want more
More, more, more, more, more!

Review:

Once again, a song that was a solid 4 because it is generally great overall but nothing spectacular (sorry Billy Idol) gets a 5-star review BECAUSE IT HAS A RIDICULOUS STORY BEHIND IT!

So, Idol himself has confirmed the story behind the title of the song and album.  It all stemmed from a night out at a party with the Rolling Stones where he came upon them drinking a bottle of Bourbon.  The label had a man dressed in Confederate Grey riding a horse.  The brand? Rebel Yell.

The song isn’t about bourbon but only Billy Idol could: 1. Tell a story like that about where he got the title for a song and B. have us all believe it because it’s just that crazy.

He did say the song was about women being the strongest force in the world and the lyrics overall tell the story of the love between a man and a woman.  There has been a lot of speculation about the specifics of what is talked about…but honestly.  Its just a really good song.

The lyrics are solid, the music is catchy.  And it’s just fantastic all around.

And yes, you can still get Rebel Yell Kentucky

Rating:

Rating: 5 out of 5.
Posted in 8-Tracks, Blog Posts

Beds Are Burning, by Midnight Oil: a Song Review

General Information:

-Album Title: Diesel and Dust

-Artist: Midnight Oil

-Release Year: 1987

-Song Length: 4:18

-Genre: Rock

-How to Listen: Spotify (with subscription), Apple Music (with subscription), iTunes (for purchase), CD, or look for it at your local library

-Page of Reference in RP1: 63

Lyrics:

Out where the river broke
The blood-wood and the desert oak
Holden wrecks and boiling diesels
Steam in forty-five degrees

The time has come
To say fair’s fair
To pay the rent
To pay our share

The time has come
A fact’s a fact
It belongs to them
Let’s give it back

How can we dance
When our earth is turning
How do we sleep
While our beds are burning

How can we dance
When our earth is turning
How do we sleep
While our beds are burning

The time has come
To say fair’s fair
To pay the rent
Now to pay our share

Four wheels scare the cockatoos
From Kintore East to Yuendemu
The western desert lives and breathes
In forty-five degrees

The time has come
To say fair’s fair
To pay the rent
To pay our share

The time has come
A fact’s a fact
It belongs to them
Let’s give it back

How can we dance
When our earth is turning
How do we sleep
While our beds are burning

How can we dance
When our earth is turning
How do we sleep
While our beds are burning

The time has come
To say fair’s fair
To pay the rent now
To pay our share

The time has come
A fact’s a fact
It belongs to them
We’re gonna give it back

How can we dance
When our earth is turning
How do we sleep
While our beds are burning

Review:

Pretty solid light rock song.  It isn’t hard on the years…the lyrics are really similar to a lot of what I’m used to hearing throughout the late-‘80s.  Some of it is kind of nonsensical but overall, it’s pretty catchy and is definitely one that I’ll be adding to a few of my personal playlists.

As I looked for the lyrics for this song, I learned that it is a political protest song. Honestly, I’m finding it really interesting that a lot of the music that I’m listening to for this blog happen to be protest songs or off-kilter, off-trend music.  Though I guess that shouldn’t be too odd considering the nature of the book.

So, Midnight Oil is an Australian band… go listen to this song and their other music because its all pretty cool in my opinion.  But this song in particular was a protest against the government in Australia.  Apparently, there was forcible removal of the native Pintupi peoples from the Gibson Desert (it seems like a combination of what happened here in the US to our native peoples as well as the Japanese Internments of the 1940s…and well…if you’ve kept up with the US news the last few years is still occurring to other BIPOC).  These people weren’t and still haven’t been given apologies by the Australian government for their treatment of Aboriginal peoples even now.  Though the Pintupi people seem to be trying to return to their land since the early 1980s.

I find things like this absolutely fascinating because music is just a form of art and art can be so many things.  This song is catchy, the lyrics and melody are really easy to pick up and follow.  You can take it for that.  Or you can look deeper into the lyrics and the background of the band and the song.  And sometimes you find that it was actually something really deep and important.

So important in fact that Midnight Oil’s frontman, Peter Garrett, said of the song: “In retrospect it was the song we were born to record. It’s got all the bits to make it work, strong rhythms, good melody and the lyrics had some punch, while being very Aussie. t took a while to stick. It’s incredible how much it still gets played around the place… Who would have thought an Aboriginal land rights song would travel that far?”

So important that the Australasian Performing Right Association has placed it #3 on their Top 30 Australian Songs of the past 75 years.

And so important that my opinion of the rating for this song went from a 4 out of 5 (as a decent and pretty standard sounding, yet solid, late-1980s song) to a 5 out of 5.

Sometimes knowing what something is about makes it that much more powerful.

Rating:

Rating: 5 out of 5.
Posted in 8-Tracks, Anorak's Almanac

8-Track

Here is the list of all of the audible references that would have appeared in Anorak’s Almanac. They are listed below by Category, from individual songs, podcasts, and albums. Even full band discographies. As articles and reviews get written about the reference (and playlists get made on Spotify by yours truly) then the title will turn into a link for you to follow to that review or article! The links below will jump you to each category since the number of references is not a long as other categories in types of references, and while it doesn’t necessarily seem like a long list it really is since some of the bands have many, many albums…. and may be added to in the future.

Band:

  • Bon Jovi
  • Bryan Adams
  • The Clash
  • Def Leppard
  • Devo
  • Falco
  • John Cougar Mellencamp
  • Journey
  • Pat Benatar
  • Pink Floyd
  • The Police
  • R.E.M.
  • Rush
  • They Might Be Giants
  • Van Halen

Individual Songs:

Full Albums:

Podcasts:

  • Jay and Silent Bob Get Old: Tea Bagging in the UK
  • Jay and Silent Bob Get Irish: The Swearing O’ the Green
  • Jay and Silent Bob Go Down Under

Radio Shows:

  • The Hitchhiker’s Guide to the Galaxy
  • The Hitchhiker’s Guide to the Future
  • The Internet: The Last Battleground of the 20th Century
  • Doctor Who